The Oswegonian

The Independent Student Newspaper of Oswego State

Laker Review Music

Bruno Mars returns to soulful, Latino roots with ‘The Romantic’

After years of anticipation, Bruno Mars returns with his latest album “The Romantic” that blends his signature soul with vibrant Spanish and Latino influences.

This new era feels intentional from the very first track. Rather than chasing trends, Mars leans into warmth, rhythm and cultural texture. The album carries the smooth polish fans expect, but layered beneath the silk vocals are Latin percussion, brass flourishes and melodies that echo bolero and salsa traditions. 

The opener, “Risk It All,” immediately sets the tone with dramatic instrumentation and cinematic flair. Over swelling horns and rhythmic guitar, Mars sings, “If your heart is on the line you could take mine / There is nothing I would not do.” The lyric is simple yet effective, capturing the kind of grand, almost theatrical devotion that runs throughout the album. 

The Latino musical influence becomes more pronounced in “Cha Cha Cha,” a rhythm driven track that practically demands movement. The percussion is fun and playful, clearly inspired by traditional cha cha rhythms, while Mars’ vocals glide effortlessly over the beat. The hook feels flirtatious and nostalgic at the same time, merging retro Latin dance energy with modern pop precision. It is one of the album’s most distinctive moments and shows how comfortably he can blend styles without sounding forced.

“God Was Showing Off” slows the pace and returns to Mars’ soulful roots. Even though this track is less rhythmically Latin than others, the subtle guitar patterns and soft percussion still carry that influence underneath the surface. It is a reminder that Mars’ strength has always been in pairing smooth vocals with heartfelt simplicity.

“I Just Might” brings a lighter, more playful tone. While rooted more in pop soul than Latin tradition, it fits seamlessly within the album’s broader theme of devotion and vulnerability. Mars sings with confidence and charm, but there is also restraint here. At times, the album feels so polished that it lacks a little risk. The melodies are strong, yet a few tracks blend together instead of standing completely apart.

“Something Serious” stands out as one of the record’s more rhythmically engaging songs. With layered horns and syncopated beats, it feels like a modern nod to classic Latin pop orchestration. The energy is infectious without becoming overwhelming, and Mars’ delivery feels effortless.

Not every track reaches the same emotional or musical height. A few songs lean heavily into familiar romantic clichés, which slightly weakens the overall impact. While the album is cohesive and beautifully produced, it does not completely reinvent Mars as an artist. Instead, it refines what he already does well and adds cultural textures that feel authentic rather than decorative.

What ultimately makes this album compelling is its warmth. Mars does not appropriate Latin influence for aesthetic effect. He integrates it naturally, allowing rhythm and instrumentation to shape the emotional tone of the project. The result is an album that feels confident and charming even if it does not fully break new ground. “The Romantic” is a strong return that showcases growth without abandoning familiarity. Overall, Mars has produced another hit album that will most likely play at many weddings to come.

Natalie Glosek

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