The autumn season has just begun and as promised, Weezer (âBuddy Hollyâ) released the latest EP in their âSZNZâ collection on Sept. 22. It features seven songs and is the bandâs ninth EP record. Weezer dropped âSZNZ: Autumnâ hoping to follow the success of its predecessor âSZNZ: Summer.â To their ever-loyal fanbase, it is more than they could have possibly asked for. To listeners who are not complete die-hard fans, the only thing this EP seems to do is âfallâ flat in comparison to their more commonly praised radio hits.
If you find it hard to believe that this is the same band that made âPinkerton,â you would not be alone because the lineup went through various changes before and around 2001. Since that year it has consisted of Patrick Wilson on drums, Scott Shriner on bass guitar and Brian Bell on rhythm guitar. Shriner and Bell also provide backing vocals and play keyboards. The âSZNZâ collection is meant to be musically different from itself in all four releases and the band has certainly delivered on that condition. The spring EP was light and happy with more acoustic measures, the summer one was more angsty and wrought with guttural metal flavor. Allegedly the winter EP will take on an even more depressing tone than the current one, as the setting of each release changes. According to weezerpedia.com, âSZNZ: Autumnâ is meant to take inspiration from Franz Ferdinand (âTake Me Outâ) and The Strokes (âThe Adults Are Talkingâ). To call this EP a shortcoming seems fair considering how badly the lyrical content was handled. Lead singer Rivers Cuomo clearly has a knack for poetry, but it seems that musical talents of his bandmates are being wasted on poor execution of the words. While dedicated fans noticed the significance of a certain bridge in âRun, Raven, Run,â the lyric âIâm your spirit animal/Iâm going cannibalâ grinds the songâs thoughtful storytelling to a halt. The bridge in question features lyrics from âPacific Sunset,â a song that Cuomo recorded around 2015 which was later demoed for âOK Humanâ but did not make the cut. It is a shame that such dedication to continuity was overshadowed by poorly chosen lyrics.
In true Weezer fashion, âSZNZ: Autumnâ comes with its ripoffs of other great songs. The song âCanât Dance, Donât Ask Meâ features a very unsubtle copying of lyrics from Robert Palmerâs 1979 hit âBad Case of Loving You (Doctor, Doctor).â The track âShould She Stay or Should She Goâ seems like a swipe at the 1982 smash hit done by The Clash (âShould I Stay or Should I Goâ). Cuomo is known for borrowing words that other bands already came up with and giving them his own spin, which to some degree is, admittedly, inspiring.
What was most interesting was that Cuomo sampled âWinterâ from baroque composer Antonio Vilvaldiâs âThe Four Seasonsâ for the song âTastes Like Painâ. As far as lore goes, this makes sense with Cuomoâs whole theme of seasons for this collection. Lyrically, âTastes Like Painâ is expertly crafted and showcases that signature Weezer flair. But it deserves the talents of a more hardcore band to keep up with its content. It feels like Cuomo is attempting too much edge for a garage band past its prime and unfortunately, âSZNZ: Autumnâ comes as a disappointment despite the bandâs best efforts. Let us hope their next release will fare better.
Image from Weezer via Weezer.com






