Rating: 4 / 5 stars
It is been 10 years since California garage rocker Ty Segall began his solo career. The quality of his music has been so consistent the past decade, listeners are almost waiting to see when he finally releases a flop. âFreedomâs Goblinâ will delay that opportunity for at least another year as Segall continues his decade-long creative tours.
Segall puts forth his first double album with the help of his backup band known as âThe Freedom Bandâ who played with him on his last album. The band includes longtime collaborators Mikal Cronin (bass guitar) and Charles Moothart (drums, percussion), as well as Emmett Kelly (guitar) and Ben Boye (piano, Wurlitzer.)
The albumâs opening track âFunny Dogâ starts off the party with a loud burst of sound that will wake the listener and grab their attention. The sound of a trumpet works its magic in providing an interesting splash of creativity.
âRainâ changes up the pace with a slow-moving piano riff. Eventually Segallâs vocals, as well as a brass section, find their way into the mix. The drone guitar solo toward the end of the song definitely helps give it some more depth.
âEvery 1âs A Winner 0â brings things to a much more guitar and fuzz-heavy place, reminiscent of some of Segallâs side projects âThe Googsâ and âFuzz.â
âDespoiler of Cadaverâ provides a very interesting LCD Soundsystem-esque electronic dance track. With this track, it becomes clear that Segall is looking to flex his creative versatility as he did on his self-titled album a year ago.
Despite its dark and twisted title, âWhen Mommy Kills Youâ is actually a fun track with a catchy yet fuzzy guitar riff and some smooth harmonies. The mixture of garage rock with a subtle hint of pop makes for a familiar Segall track.
âMy Ladyâs On Fireâ opens up with folky mellow sound that has a strong Bob Dylan feel before promptly breaking into a more upbeat tempo that makes good use of a subtle electric guitar.
As with the previous track, âAltaâ starts off slow and soft before exploding into action. It is perhaps one the better overall tracks on the album thanks to great guitar work and vocals.
âMeaningâ follows a similar formula as the previous, but does not offer much else than the opening sounding similar to that of WARâs âLowrider.â
âCry Cry Cryâ breaks the mold by carry in a relaxed vibe while highlighting an exceptional slide guitar and reiterating the exceptional vocals that have been a theme throughout the album.
Sitting in the middle of the album is âShoot You Up,â which is where it belongs. Not that it is a bad song, but it seems to rehash the heavy fuzz guitar sound that has been heard enough and has no other qualities that jump out.
âYou Say All The Nice Thingsâ is not much to write home about until the end when a smooth guitar lick slips its way in and leads into the outro nicely.
Even though it contains some sad lyrics, âMy baby died with no tears in her eyes,â âThe Last Waltzâ still manages to be reminiscent of a circus or carnival thanks to its weird sounds.
As the album reaches the home stretch it finally manages to start sounding a little repetitive.
Songs like âShe,â âPrision,â âTalkin 3,â âThe Main Pretender,â and âFreeâ bounce back and forth between fuzz, brass, acoustic elements that are well known at this point.
The album becomes exciting again by the end with â5ft Tall.â Containing multiple tempo shifts as well as all the good qualities found within the album rolled into one song, it deserves to be called another standout track.
Wrapping things up is perhaps the most interesting and longest track the album has to offer. âAnd, Goodnightâ starts off as what seems to be a long jam track to end the album. Then, out of nowhere, the title track from Segallâs 2013 album âSleeperâ starts playing and continues to fade in and out throughout the rest of the song.
Overall, Segall has put out another great album. Its an absolute creative work of art as the musician continues to be more experimental and try anything and everything to diversify his sound.
Photo provided by Juan Bendana (goo.gl/Vsqu2z)







