In an industry featuring artists that are conquering just about every genre from rock to hip-hop, the ability to stand out often depends on performers’ abilities to blend genres successfully.

On “Doe,” the debut, self-titled extended play release by Tessa Barton and Mason Brewer, the ability to blend genres comes as if it were second nature. Barton who is most recognizable as the front woman of rock band Luna Lune, and Brewer a well-versed producer, whose previous credits include the hip-hop group Better Taste Bureau, come from entirely different genres all together.

However, when their roads diverged, the resulting collaborations seemed destined for further exploration.

Taking flight as Doe, the duo offers heavy synth and alt rock glam destined for galactic stardom. Each track off of their debut is as incredible as the next and while the two originally began compiling the EP in 2013, the release could not come at a better time. With plans for a future, full-length album in the works and plenty of shows ahead of them, Doe’s debut provides listeners with the perfect sample of work for the future that is sure to come.

For “Doe,” the lead single “We Are” is an enthusiastic lead-in that is sure to enthrall audiences ready for an adventure. Dark and oozing with potential, “We Are” swings like the pendulum of a clock. With Barton’s breathy vocals crackling in the track’s climaxing moments, “We Are” stands out. Reminiscent in style to Florence + the Machine, Doe’s first single should impress Top 40 fans and alternative ones alike.

Songs like “Like a Gun” and “Wicked Game” ooze with contorted synths and transcendent vocals. Slowly burning, the pair complements one another well. Featuring haunting vocals and echoing beats, both songs offer more of what fans will come to expect from such an accomplished duo. Each offer a look into what should be a dazzling future for Doe.

As this path continues, Doe prepares listeners for the record’s best track, “Pulse.” Permeating through intensity and visceral beats, “Pulse” radiates. Pairing clashing synths with fiery lyrics, the track is a head-banging masterpiece. Here, Doe’s true potential is unleashed.

Pulling back on the fierceness of tracks like “Pulse, “Cradle” provides a compelling change of pace. Simplistic but also holistically intricate, the track bounces along with singsong melodies and delicate instrumentals. While other tracks on “Doe” seek to draw in its listeners with otherworldly sounds and beats, “Cradle” feels more playful. It’s different, but enjoyable.

As a whole, “Doe” is a surprisingly good debut. Each of Barton and Brewer’s influences work well enough together and though their different paths diverge into Doe, each are allowed to reach their highest level of accomplishment. As a duo, they seem far more versed in artfulness than many more well-known artists in the industry.

As Barton sings on “We Are” how they’ll soon be living like kings and queens, audiences won’t be able to help but agree.

Rating: 4 out of 5